August 22 ,My 75th Birthday

            Birthday Card from My Church, Kobe Eiko Kyokai Church

 

                T. Nagaoka sent me Birthday E-Mail

 

          Japanese Average Life Span:Men;80.87 and Women; 86.61

 

            August 15 is 70th Anniversary of Last World War 2

 

         Prime minister Abe's Discourse of Post-war 70th's Anniversary

          New Book: "Postwar Japanese Hierology" by Hiromi Shimada

 

            1 Year after from the Sediment Disaster of Hiroshima

 

               A Boy and A Girl was Murdered in Osaka

 

        Roadside memorial: students lay flowers in honor of Natsumi Hirata, a 13-year-old girl who was killed in Osaka last month along with 12-year-old Ryota Hoshino|KYODO 

             It still takes a village to keep our kids safe

                                                                        by    Special To The Japan Times  Article history

Hirata and Hoshino were caught wandering the streets on security cameras during the wee hours of Aug. 13 before they were presumably picked up and killed. Neither child was homeless, and the question became: What were they doing out so late? In interviews, Hirata’s classmates said that she often went out at night and hung around on the streets, sometimes not returning home for several days.

What made the story incomprehensible to most reporters is that Hirata wasn’t considered furyō (delinquent) or even a runaway. Her wandering ways had less to do with typical adolescent rebelliousness than with the fact that she could go out, which means her death was implicitly tied to a lack of adult supervision. She didn’t seem to be the product of a broken home, though it’s been pointed out that her father is unemployed and her mother works late every day to provide for the family. Some media suggested that the parents often fought and that maybe the girl wanted to escape such an atmosphere, but there appears to be something else, a parent-child dynamic that doesn’t fit the usual complaints about permissiveness.

In its Aug. 31 issue, Aera wrestled with the implications but also pointed out that the problem of wandering kids is by no means a widespread phenomenon. The majority of minors are home by a reasonable hour and do not roam back alleys at night, though the number who do is increasing.

Except for Nagano, every prefecture in Japan has a regulation that prohibits children from being out at night without good reason. The National Police Agency has reported that in 2014, 429,000 children were confronted in public by police officers nationwide and brought back to police stations. Not all of these cases took place at night, but most probably did. A good portion may have been potential runaways, but such distinctions become blurry when parents don’t report their children as missing. At the same time, 1,210 adults were actually arrested for taking their children out after midnight, almost four times the number arrested for the same charge 10 years earlier.

The term that experts have adopted for such a dynamic is “flat,” since the relationship between parent and child is not vertical but horizontal. According to an expert on criminal psychology interviewed in Aera, though some people have characterized these relations as being akin to a “friendship,” there is very little warmth involved. The children don’t regard their parents with fear or respect for the simple reason that they don’t see much of them and haven’t developed any opinion one way or the other. The parent may eschew discipline out of either a fear of alienating the child or laziness, but in any case the children feel no “guilt” about staying out late and, regardless of their parents’ feelings about this tendency, they in effect are unable to stop the children from going out.

But another reason for the increase in wandering children is a change in the social atmosphere. In a recent feature, the Asahi Shimbun talked to Osamu Mizutani, a former public school teacher who himself walks the streets at night talking to young people he meets. He cites the rapid spread of convenience stores since the late 1980s, which provide wayward kids with rendezvous points with clean toilets and snacks. Two decades ago, they would assemble in the dark behind a convenience store, away from adult eyes. But now they hang around in front because they know “no one will challenge them.” Mizutani reckons that had even one adult confronted Hirata and Hoshino during their midnight ramblings, maybe the tragedy wouldn’t have happened. “Society has become uninterested in children,” he said.

In a report on NHK’s news show “Close-up Gendai,” smart phones were also cited as contributing to the increase in wandering children. The social networking app Line has made it possible for kids to create virtual communities that don’t require face-to-face contact, and so they have no sense of danger when they meet strangers.

As one policeman told NHK, parents buy smart phones for their children expressly so that they can keep track of them. Both parents and children think that if something happens to the latter they can call for help, but that doesn’t always happen, and certainly wasn’t the case with Hirata and Hoshino. A well-known children’s advocate, Kazuki Arai, says he uses Line to monitor the actions of wayward adolescents, and has found that they are subjected to violence even more than people think, but that they don’t tell anyone except their friends online. Some teen girls even text about being raped.

And this is something that the media, despite its natural tendency to emphasize the sordid details of tragic stories, hasn’t stressed enough. The man who was arrested for the murders of Hirata and Hoshino has already spent time in prison for abducting children, but even if parents do warn their kids not to talk to strangers, there seems to be little discussion of what might actually happen if they do, and thus the peril isn’t communicated effectively. Pederasty isn’t a subject deemed fit for public discussion, and as long as kids aren’t made aware of what some people are capable of, they may not be sufficiently cautious.

But without a stronger disciplinary will on the part of parents, even this scare tactic could backfire. If kids walking around at night are confronted by adults who try to get them to go home and who are then accused of being potential molesters, it’s going to be more difficult to get adults to act. Arai says that he knows of people who have tried to talk to young people on the street and the young people threatened to call the police on them. But if that happens, by all means call their bluff, because in the end, getting the police involved is exactly what you want.

 

                           My Twin Niece are Inviting Italian Chamber Orchestra to Kamakura

                                                      Welcome Back to Japan

 

                             Megumi & Sayuri Ikeda was Introdused by the Magazine " OZ "

                     蕾の家

                Louvre Museum's Exhibition in Kyoto

              Jan Vermeer van Delft, Holland, New Books

                                            Grico Pokky Chocorate's 50'th Anniversary


                       Having thick taste, L. diabolica is preferred to be used for soup stock.

                         Moving Picture Distribution Service System in Japan is Starting

 


                                     Tokyo Olympic 2020 Troubled with it's Emblem

 

 

                Sano stands by Olympics logo, denies plagiarism, retracts design ‘to protect family, staff’

                                                                                                                                                        AP, Kyodo   Sep 2, 2015

 

             Someone else’s website in materials used in Olympic logo presentations, including one at its launch, apparentl Kenjiro Sano, whose logo for

                   the 2020 Tokyo Olympics was scrapped Tuesday, stood by his design but said he decided to retract the logo because he felt his design did not

                    have the support of the public and was marring the image of the Tokyo Olympics. “I swear my design did not involve copies or plagiarism,

                    ” Sano, 43, said in a statement on his website late Tuesday. “Any attempt of suspected copying or plagiarism should never be permitted.

                    ” He apologized to artists and other involved parties over some of his works unrelated to the Olympic logo, while blaming some media for giving

                     him a “bad image” and reporting “as if all of my designs were copies.” “I made the decision (to retract the logo) after judging that it is difficult

                     to let this situation continue, to protect my family and staff from persistent attacks and bashing over the ruckus,” Sano said, adding that the

                     privacy of his family has been breached with their pictures exposed online. “I feel the situation has become unbearable as a human being,” the             

                     statement said. Sano now will not be paid the ¥1 million prize for winning the design competition. The latest suspicion surfaced over the

                     weekend, when he was alleged to have taken a photo from y without permission.

                                                                                                                                                                                                                                                   The Japan Times Sep.1,2015


                   Olympics organizers under fire as event mishaps grow

                                           Kyodo, AP, AFP-JIJI, Staff Report, Sep.2, 2015

Print: Sep 03, 2015

Last Modifie         The Tokyo 2020 Olympics organizing committee faced growing criticism Wednesday over its handling of the event, a day after it dumped the games’

                     logo amid plagiarism claims and as compensation claims loomed from sponsors already using the design. During a Diet committee session, Olympics

                     minister Toshiaki Endo said the games’ organizing committee, the Olympics logo selection committee and its designer were all responsible for the

                     withdrawal of the logo on Tuesday. “Each of the three parties are responsible in their own way,” Endo said after the organizers decided Tuesday to go

                     back to the drawing board and design a new logo at the request of its creator Kenjiro Sano, who said it no longer had public support. The major

                     opposition Democratic Party of Japan said that while the organizing committee carried the heaviest responsibility, Endo must take his share of the

                     blame as the minister. The retraction was another blow to the country’s games preparations after Prime Minister  Shinzo Abe in July scrapped plans

                     for the new National Stadium amid fierce public criticism over skyrocketing construction costs. Tokyo Gov. Yoichi Masuzoe said on Twitter that he  saw

                      similar underlying problems with both issues of “uncertainty in where the responsibility lies and insufficient information disclosure.” A Tokyo assembly

                      member, who asked not to be named, said that former Prime Minister Yoshiro Mori, who heads the organizing committee, and the committee should

                      have better handled the logo incident. Meanwhile, Endo indicated that the organizing committee may be liable for yet more compensation after it emerged

                      that some sponsors had already ordered goods featuring the scrapped design. The committee already has to compensate contractors for work on the

                       scrapped stadium plan. A senior official at the Tokyo Metropolitan Government, which ordered ¥46 million ($380,000) worth of goods bearing the now 

                       defunct logo, said it planned to review whether it was possible to seek payment from the organizers. The logo has also been displayed at various locations

                       such as airports, while officials of companies sponsoring the games have printed it on their business cards. “Although this was a disappointing development,

                       we would like to contribute to building anticipation for the games,” said an official at All Nippon Airways Co., which removed the logo from its website

                       Tuesday evening. ”I was surprised by the sudden (decision),” said a high-ranking official of a corporate sponsor. “Given the trouble related to construction

                        of the new National Stadium, I’m worried about a decline in the value of the Tokyo Olympics.” JX Nippon Oil & Energy Corp. revealed plans to delete

                        the logo from its commercial footage. The company said it was not yet known how much it would cost to remove the logo. Sano, in asking for his logo to

                        be pulled, denied it was plagiarized but said he was concerned that the controversy was marring the Tokyo Olympics’ image, and that his family had been   

                        subject to harassment. He apologized to artists and other involved parties over some of his works unrelated to the Olympics logo, while blaming some

          media for giving him a “bad image” and reporting “as if all of my designs were copies.” ”I made the decision (to retract the logo) after judging that it is

                        difficult to let this situation continue, to protect my family and staff from persistent attacks and bashing over the ruckus,” Sano said, adding that the

                        privacy of his family has been breached with their pictures posted online. “I feel the situation has become unbearable as a human being,” the statement

                        said. Sano will not be paid the ¥1 million prize for winning the design competition. He was accused of plagiarism by Belgian designer Olivier Debie, who

                        filed a lawsuit against the International Olympic Committee to prevent use of the Tokyo 2020 logo. The committee rejected the allegation and presented

                        what they claimed was Sano’s initial blueprint for the logo. But that, too, came under suspicion due to its resemblance of a design by the late Jan Tschichold

                        of Germany. On Tuesday, Debie said he would press on with the lawsuit, which was filed in a Belgian court in August and alleges Sano’s Olympic design

                         was plagiarized from the logo he made for a theater in the Belgian city of Liege. “My initial reaction was to say, ‘There you go, we’ve won.’ But at their

                         press conference, they completely beat around the bush and said they were scrapping the logo for some obscure reasons,” Debie said.  “So the case

                         continues. It remains current because a press conference can’t terminate a legal action. The Olympic Committee must recognize the plagiarism of the

                         logo.” The first hearing of the case is set for Sept. 22 in a civil court in Liege, with a decision expected to follow in the coming weeks or months. “Plagiarism

                         is impossible to prove but the facts are there,” said Debie. “The layout and the typography are virtually identical. When I see the Tokyo 2020 logo, I say

                         to myself, that’s the logo I created in 2011.”

                       Sports journalist Gentaro Taniguchi said, “The debacle over the Olympics’ two symbols — the stadium and the logo — has significantly damaged the      

                         Tokyo Olympics and Japan has lost the confidence of the international community.”

                                                                                                                                                                                                  The Japan Times   September 2, 2015


        A Huge Statue of Buddha, Todaiji Temple, Nara
        A Huge Statue of Buddha, Todaiji Temple, Nara

                                      3 Holy Places of Kumano Sanzan, in Kumano, Wakayama

 

    Kumano Kodo pilgrimage routes, Wakayama
    Kumano Kodo pilgrimage routes, Wakayama

Kumanokodo Road (Kumana kodo) is a generic term of pilgrimage routes leading to Kumano Sanzan (three major shrines, Kumano-Hongu-Taisha, Kumano-Hayatama-Taisha and Kumano-Nachi-Taisha).


                   What is Heian Jingu Shrine ?

 

                   Iwashimizu-hachimangu shrine
                   Iwashimizu-hachimangu shrine

                 Which Japanese Bridge do you like ?


                                           Where Do Foreign Tourist go to see in Japan?

 

                  Lonely Planet Japan

                                                     japan-guide.com

                                                     tripadvisor

 

                   My Queen Elizabeth Blog

                                                             Queen Elizabeth

                                             Ranking: What Do You Do in a Rainy Day?

 

               Dr. S. Hinohara' TV Watching
               Dr. S. Hinohara' TV Watching

     104歳になられる日野原重明さん、See's Chocorate がお好きなようで、、、私も好きです。

                                                         See's Candies

                                            木蔛(もっこく)って、どんな木?


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